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âEveryone whoâs anybody to anyone is here tonight,â Ethan Kral, bassist of local band Hush Now Sweet Halo joked with me, leaning over the merch table and yelling over the humming crowd. The night of January 31st, 2026, was a night to remember for the local Madison DIY music scene. The Dual Album Release show for Hush Now Sweet Halo, and Cause & Control, with local support from Gallon of Red, Yolk, and Boxing Day, was set to be one of the busiest shows of the year. Indie-rock lovers filed into the High Noon Saloon starting around 7:30pm. Hundreds of fans wearing ironic band t-shirts, vintage jewelry, facial piercings, and baggy jeans moshed and thrashed against the venue stage- the spirit of indie rock seems to be alive and well in Madison, Wisconsin.
âWhoâs seen us play before?â Ari, lead singer of Yolk, spoke out to the crowd in between sets, âwhoâs seen us play in a basement before?â This call-out was followed by screams from local fans who had previously relied on Instagram accounts, printed posters, and word of mouth to see their favorite bands play in sweaty, low-ceilinged, unfinished basements near the college campus. As a long time fan, the performances of the night were a breath of fresh airâ professional sound systems, good acoustics, dynamic lighting, a real stage.
Gallon of Red, opened the night with a great set. Nolan Tomesh, drummer for the three-piece, sang backing vocals to accompany Leo Dempsyâs main. Talk of the town is that this up-and-coming band is one to keep an eye on, I know I certainly am.
Yolk, the only band on the bill with a female in the main-ensemble that night, stood out. Powerful vocals, incredible guitar riffs, and energy I could feel from the pit opening up in the middle of the venue. It is no secret that Madisonâs DIY music scene is male dominatedâ a photo of all of the bands on stage after the nightâs performance puts it into perspective. Yolkâs latest EP dropped this past September, showcasing the band's intoxicating sound on songs like âTim Waden,â one of my favorite local tracks of the year.
Hush Now, Sweet Halo played a set which I can describe best with a few anecdotes. A man in a Wilco t-shirt crowd-dove off the stage during the third song, starting a wave of crowd-surfing that lasted the rest of the night. In HNSHâs music, the build of the song is vital, during these moments the back of the pit opened up. Once everything builds, perhaps after a slight pause, the drums kick back in, and everyone collapses into one another. It was at this moment I got punched straight in the ear by perhaps a madman, or perhaps just another HNSH fanâ hard to tell the difference these days. Maybe the ringing in my left ear enhanced the experience? All to say, HNSH blew the roof off the place.
Cause & Control is admittedly one of my favorite bands in Madison. Pushing to the front row for a set is becoming harder and harder as they only continue to gain more traction locally.
Boxing Day killed it. Iâll never get tired of seeing them.
new music:
new york by lou reed
january 10th, 1989
genre: rock, art rock, glam rock
favorite track: there is no time (track 5)
my review: i've been walking on the wild side of the no streaming life, and i checked out this album from the library on a whim. this is the first time i've really listened to lou reed- and i am just loving it. this is a great album; it's perfect to sit around to, it's perfect to walk with my head down and hands shoved deep into my pockets, it's perfect for the week before classes start. i'm feeling joyful and relaxed, while anticipating a busy season, and this is my soundtrack.


macy's day bird by diane cluck
february 28th, 2006
genre: folk, acoustic
favorite track: i liked you as soon as i saw you
my review: i listened to diane cluck in high school, this might explain somethings about me perhaps. now, i've been getting back into her music- her tiny desk is really breathtaking- and i've been enjoying it. she has that quality of songwriter that makes me a little sick, perhaps out of jealousy, perhaps because every lyric feels like an arrow to the chest, but that really doesn't stop me from replaying this album over and over.
as i've spoken about before, i have been switching from spotify because of the whole donating millions of dollars to ai-military compains; however these two weeks at home are the real test of will-power. i've been really craving a high-school playlist or two to get me back in the nastolgic swing of things, but alas we perservere. instead i have been seeking out music that i remember really jamming out to in that old '05 honda accord that i blew the speakers out in...

live shows in review:
this weekend was one of few weekends this year with multiple house-shows on the madison calendar. as compared to last year, there hasn't been as much supply of shows for local music fans. this is likely due to long-time running venues like the Mousetrap and Nottingham decreasing their number of gigs, combined with Madison Manor closing last year, shows are now mostly in the hands of newer venues.
The Signal hosted a four-band bill on Friday night, including one of my favorites Friendly Spectres , as well as, Charity Work from Chicago, Tollbooth , and Cause & Control. i'd seen most of the bands before, excluding the traveling-band, but was delightly surprised at the sets each band played! some of the best i've seen from all three local bands! friendly spectres brought a fog machine that really amped up the energy, throwing down an experimentally electronic solo guitar set. tollbooth played in a way i haven't seen from them before, they were really in their element, and a harmonica is always bound to be a crowd pleaser. Charity Work left a little bit to be desired, but they played a fun set and I'll never complain about a band who plays a good cover! Cause & Control played a great set, perhaps i am biased, but despite ending after midnight, they always bring the energy. would've loved to see more women on this bill, as the men in the pit at this show got a little too bold for my liking- maybe it was the slippery floors in this basement, but i was certainly tumbling.
i didn't stay long at the Gold Soundz show this Saturday, with Yolk , Social Cig , Sooflay, and Cause & Control, because the vibe of that venue isn't my favorite. with someone as popular locally as Social Cig, the floor-space of this venue just couldn't deliver. Sooflay, however, played a very unique one-man set, with giant cardboard hands on each drum. Singing, playing 2 kick drums and the guitar, while also sometimes controlling these movable cardboards hands, was very impressive. towards the end it began to feel like a party trick, but the energy was great and an enjoyable set nonetheless.
new music:
this week we've been blessed by two lovely tracks from Cambodian Sim Card and Cause & Control. the new experimental ambient noise track was released by Cambodian Sim Card after a live performance on the madison student radio's snake sessions, a series of live local music performances and interviews on WSUM every friday. this track 'everywhere across' is off of an upcoming album set to be released in the spring. quite an endearing track that even your straight-edge unexperimental friends can get behind. give it a listen!!
Cause and Control dropped their new single, 'Waiting Game' Saturday night during their set at Gold Soundz, with a cute music video to go along with it. their music video has a similar theme to their previous- personally i think they just like to make their drummer play anything but a drumset- but who doesn't love an outdoor shoot. overall, this single is good and has that math-rock power-pop sound that they are really growing into and making indistinguishably their own. this single is effectively building anticipation as we inch closer to their january 31st ep-release with Hush Now, Sweet Halo at the High Noon Saloon. totally worth a listen!

live shows in review:
Madison girl-band, Blush, began the night with a lovely set including Mazzy Star's 'fade into you.' their vocals could never disappoint! as people filed in from the freezing cold, Blush set a lo-fi and chill tone for the rest of the night. the noise of people finding their seats, whispering to oneanother about winter-break plans, and chatting about finals, resonated like a candid backing track.
Cause and Control, a band composed of many music students from UW-Madison brought a jazz element to their set: their lead guitarist opting for a piano, the bassist switched between an acoustic and upright, and really shredded on the lapsteel. Drummer, Scott Lonzaga, really set the tone for their performance, switching up his usual solos on some of the trades. great set, but i would've loved some more scatting...
Hush Now, Sweet Halo followed, and played an incredible set. I would've loved even more acoustic elements to their performance, but as the self-proclaimed odd-one out on the bill, HNSH brought out a new side of their music i haven't heard before. Connor Poster, lead vocalist for the band, was the highlight of this performance, i was wrapped up in their whole set- could really feel it in my bones. one of those times where the live version changes how you hear the recorded one, 'lust enclosure' has certainly been put back on my radar (as if it was ever off).
unfortunately i stepped out for a lot of Faux Beaux's set, but the snippets I heard were excellent and they certainly fit the acoustic bill for the moment. boxing day closed out the night with a cutesy trio. i've actually seen them play an acoustic set before earlier this summer, so i was very excited! the energy that a cajĂłn, trumpet, and harmonica bring, along with the truly otherworldy voice of Chris Norcross, Boxing Day was made for this type of performance- truly incredible set to end a truly incrdible night!
I unfortunately missed Sonic Daphne's album release show at the Cardinal Bar sunday night for a much needed late night study session, but this album is gold!
new music:

this is the page where i write about what i am listening to, madison's local music scene, and playlists i've been crafting either for radio or for my own private enjoyment.
what i'm spinning: recently, i've been holding strong on not streaming music. i've been clinging to my bandcamp library, and the 500 songs i have downloaded on my ipod. these songs are from various radio-shows i did in the past year, so the whiplash from genre to genre is intense but enjoyable. i've been loving anything new wave and spacey, but right now i'm listening to kaputt by destroyer which followed dumb blonde by dolly parton.
live on fm: my radio show is 4-6AM on friday mornings this semester. that means that i can play whatever the hell i want, because really, truly, no one is listening. just me speaking and spinning to the writings on the wall. i'm excited to play more jazz and experimental stuff, and to jump head first into researching philosophers for my first show friday the 23rd!! set your alarm clocks early, or just stay up and do whatever it is people do at such forbidden hours of the day.
well it has been quite a while, hasnt it!! i've been home for the holidays, looking forward to getting back into the swing of things in madison! now that i am here... i am just devouring any music i can get my hands on. i've got hours and hours of free time and no one to see, nothing to do. i've been taking refuge in the safety of a home-burned cd.

new music:
new track from 'hush now, sweet halo' and two songs off a release from 'wooden ducks'!!
one and two, live by in ropes
december 19th, 2025
genre: alternative, post-punk, shoegaze
favorite track: low cap
my review: this recently released album caught my attention and held it for the past two weeks. i've been listening to this on repeat. i've got it downloaded on my ipod. i'm thinking about getting the whole thing tattooed onto the inside of my ears.
i've heard in ropes play live a few times, and this album really captures that unforgetable in-ropes energy that i love. 'Girl' is a track I really adore and have since the first time I heard it, but something about the grilled cheese of it all got me hooked on 'Low Cap'. francis on the drums pulls focus when he's got something to say; he is undeniably the foundation for the sound on this shoegazey record.
"this is in ropes and this is our last song."

live shows in review: last thursday was my last night in madison for the next few weeks, and in spirit of the season, i went to the very merry âporch-beerâ show at the high-noon saloon.
i was upset to have to miss wednesday night at the bur oak with croix dunord, but unfortunately got tied up in other plans. however, thursday night was an incredible show i am glad to not have missed. there were trombones wearing santa hats, jingle bells, tamborines being passed around, and of course, my beloved harmonica solo. the porch flowers are unable to play a bad set, the sonic equivelant of a midwest good-bye: as you make your way off the dance floor, hearing the beat slow down, convinced that the song is over, theres a pause and everything comes crashing in once more. there really is nothing like it. one beer please was killer, as soon as i saw jack johnson on the keys, i new theyâd be tearing it down- and i was right.
new music: three days ago, madison trio âin ropesâ released one of my current favorite albums âOne and Two Liveâ.
ever since i heard the third track on the album about a year ago, paulâs pelâmeni, i have not been able to get in ropes out of my head. leo, leo, and francis, although seperate people, are the local-band-equivelant of three kids stacked ontop of eachother in a trench coat. their voices meld and mix together in a way which makes you wonder which one of them is talking, at this point i still am not always sure, and which one of them is driving the song. âgirlâ is another favorite of mine, but âlow capâ might take the cake for one of my favorite local tracks of the season. if you are not tuned into in ropes⌠what are you even doing??



behind the wilderness - battle elf (experimental) everywhere across - cambodian sim card (experimental) roof - stargazers (free jazz) a day in the life - wes montgomery (jazz/guitar) movement 6 - floating points, pharoah sanders(jazz) but in the spirit of honesty, i've not been studying all that muchâ it seems all of my motivation has left with the end of classesâ so i've just been listening to some random tracks that i always feel myself drawn back to, while staring at my ceiling:
just got the newish sharp pins album on CD and i've been listening to that mainly when i'm home, maria don't - sharp pins (indie-rock?) the leanover - life without buildings (post-punk) muck - annie dirusso (indie-rock/pop) bones - frog (indie-acoustic/folk) new york - cat power (indie-rock) rudolph - mj lenderman (indie) she's actin' single (i'm drinking double) - wednesday (indie-twang) west end girl - lily allen (pop) ipod touch - ninajirachi (electronic/hyper-pop) bitch nation - dan reeder (folk) waiting game - cause & control (indie-rock) lucky number - optic sink (indie, i'm loosing the meaning of the genre i think) 3D Country - geese (indie-rock, i'm sure of this one) lately music has felt overwhelming and too fast-moving. some things that used to feel familiar feel all weird in my ears, and somethings i've never heard before feel just right. i think it's just that everythings changing, everythings demanding focus, and everyone has something to say before they go. i've always found it interesting how we attribute music to our most intimate feelings, how there are lyrics that are so personal i am suprised when others know them too. i've been thinking about that a lot recently. - december 10th, 2025 i've been diving into more ambient and experimental tracks recently for studying, in addition to the jazz i normally like:
a river ain't too much love by smog
may 31st, 2005
genre: alt-country, lo-fi, indie rock
favorite track: rock bottom riser
my review: i've loved bill callahan for a while now, something about the ease at which he write and sings and plays is incredible. red apple falls was my favorite album for a long time last year, and i've recently been playing 'a river ain't too much love' a lot. singer-songwriter music, while not really a genre, has always cut me down the center and grabbed ahold of my ears, tearing me apart. bill callahan, aka smog, does this with intention.
this album feels like winter, smoking cigerettes in -12 degree weather, and trying to restring your guitar without any tools- just winding and winding and winding. this album feels like whispering under your breath, taking a look around and liking what you see, and driving home for the holidays, heading west on the interstate.











welcome to my page where i like to talk about music keep an eye out!
what i'm spinning: recently i've been listening to a lot more female-folk/indie music, and annie dirusso does it so well; she also just went on NPR for a tiny desk concert check it out! speaking of tiny desk concert's, billy strings just played one too (watch it) what a great joyous day on this earth. also if i'm posting random links, watch this video of cause and control.
live on fm: i unfortunately am on a week long ban from my radio show, thanks to the Mountain Goats song i played...
so my next WSUM live-on-fm show won't be until next semester. i'm hoping to keep my same morning slot!